There has been some chat in the Yarnworker Patreon community about how to visualize what happens when you lift or lower heddles or engage pick-up stick and heddle rods when using multiple heddles. Because of the all-in-one nature of the magical rigid-heddle that determines sett as well as the order of the ends, the yarns have to wiggle in order to organize them in the way you wish to weave any given structure.
In the case of the standard two-heddle threading, this one setup can be transformed into many weave structures. In the case of the 200% density threading, the ends crammed in the slots appear clumped as they emerge from the heddle and one end is set apart. The end that is set apart is in the front heddle hole, the one we most often call “1”. Reading from right to left, the first end of the three crammed ends is a slotted end, the next end is threaded in the back heddle’s hole, and the third end is the second slot in the 4-end grouping.

When you weave plain weave, you are lifting both heddles up and down. The end set apart and the middle end in the group of three are the ends being lifted and lowered.

Each structure requires different sheds to form its distinctive look. 1/3 twill requires four sheds and the ability to lift each end individually. A heddle rod and pick-up stick are inserted to achieve all four sheds.

These are just a few of the structures possible for the standard threading. It gives you an idea of how to visually spot check for ends that may not quite be where they should or where you may have a threading error. Once you understand how the sheds are formed, it is easier to read your weaving if you get lost.
The same holds true of all threadings in multiple heddles although some clump and some don’t. If you were threading the standard threading at 100% density, the ends travel pretty much straight from the front to the back of the heddle because you are skipping holes to space out the threading although one slot has two ends in it. If you are threading three heddles the same ideas apply even if you are using a specific threading. For example here is the first shed of a point twill threading. Noice how when the repeats are lined up a pattern is formed on the upper layer of the shed.
Point-Twill Threading

It can help to see the upper layer clearly by pausing to press up on the shed with a stick shuttle, if you are using one. If there is an area where the pattern of up ends is disrupted on the upper layer, it is typically in the crammed areas where an end that should be down is sticking to an end traveling up. If this happens, try adding a bit more tension on the warp overall, strum the warp to get the ends to settle down, and if need be either weight an individual problematic end or an entire layer by slipping a small rod under the layer that is giving you trouble and push the bar over the back beam to add some extra weight to that layer. You may want to weave a few rounds of the structure in the header before you begin your project to help establish the sheds and do an inventory of what ends are up in each shed as you work through the repeats.

Learning to recognize the patterns on the upper layer of the shed to enable you to identify that the right ends are up and in the right order.
Heddles Up!
Liz




Hi! I’m a beginning weaver, haven’t tried weaving with more than one heddle yet. Reading posts like this exposes new ideas and gives me food for thought as I think about advancing my rigid heddle learning. 🙂
We lovingly call these spaghetti drawings. I’m glad they are inspiring and not the opposite.